Tag Archives: Piano

Piano Trio No. 1

By Lewis Spratlan | For For Violin, Cello, and Piano | 19′

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Invasion

By Lewis Spratlan | For Piano, Alto Saxophone, Horn in F, Trombone, Mandolin, Percussion | 11′

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Review: All-Spratlan Album, “Invasion”

Fanfare ArchiveBy: Colin Clarke Subtitled “Music and Art for Ukraine,” the sentiments on this disc certainly tap into a profound humanitarianism. If anything will inspire musicians, it is injustice and catastrophe. A selection of paintings by Ukrainian artists adorn the … Continue reading

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Lewis Spratlan’s newest album INVASION: MUSIC AND ART FOR UKRAINE is released

Release Date: September 23, 2022

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Journey

By Luna Pearl Woolf | For Soprano and Piano | 4′ Continue reading

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Climbing the Sea

By Luna Pearl Woolf | For Soprano and Piano | 5′

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Ballad of a Hair Model

By Luna Pearl Woolf | For Mezzo-Soprano | 5′

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Clarinet Trio

By Lewis Spratlan | For Clarinet, Cello, and Piano | 8′

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Piano Suite No. 1

By Lewis Spratlan | For Solo Piano | 13′

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Three Sonatas

By Lewis Spratlan | For Solo Piano | 9′

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Fantasia

By Lewis Spratlan | For Piano, Four-Hands | 16′

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Fantasy Dances

By Lewis Spratlan | For Violin and Piano | 13′

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Six Preludes

By Lewis Spratlan | For Solo Piano | 19′

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Six Rags

By Lewis Spratlan | For Solo Piano | 17′

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Lewis Spratlan’s Bangladesh featured on Grammy winning album The Poetry of Places

We are excited to announce that Lewis Spratlan’s, Bangladesh, is one of the world premiere recordings featured on Nadia Shpachenko’s album The Poetry of Places, which was bestowed with the 2020 Grammy Award for Best Classical Compendium. Victor and Marina … Continue reading

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Traum Durch die Dämmerung

By Luna Pearl Woolf | For Soprano and Piano | 5′

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Dreamworlds

By Lewis Spratlan | For Piano, Four-Hands | 15′

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Bangladesh

By Lewis Spratlan | For Piano Solo | 16′

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Travels

By Lewis Spratlan | For TTBB Chorus, and Piano, Four-Hands | 9′

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San Francisco Classical Voice: Lisa Delan Recital A Pure Delight

Woolf’s composition alluringly displayed diverse facets of love refracted through a variety of genres, with Haimovitz channeling a jazz bass pizzicato here, sliding into Middle Eastern modes there,something fluttering with O’Riley like attendant lovebirds. Continue reading

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