Category Archives: Composers

Too Many Vodka Tonics

Posted on January 27, 2019 by

By Luna Pearl Woolf | For String Quartet | 5′

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To the Fire

Posted on January 27, 2019 by

By Luna Pearl Woolf | For 6 male voices or AATBBB choir | 13′

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Between the Bars

Posted on January 27, 2019 by

By Luna Pearl Woolf | For Soprano, Cello, and Piano| 5′

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But I Digress…

Posted on January 27, 2019 by

By Luna Pearl Woolf | For String Ensemble and Percussion Quartet| 15′

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Traum Durch die Dämmerung

Posted on January 27, 2019 by

By Luna Pearl Woolf | For Soprano and Piano| 5′

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One to One to One

Posted on January 27, 2019 by

By Luna Pearl Woolf | For 3 Female Voices, 3 Cellos, 3 Basses| 15′

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Lili’uokalani for Solo Cello

Posted on January 27, 2019 by

By Luna Pearl Woolf | For Solo Cello| 10′

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Unspoken Words

Posted on January 27, 2019 by

By Lewis Spratlan | For SATB Choir and Trombone|10′

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Charlottesville: Summer of 2017

Posted on January 27, 2019 by

By Lewis Spratlan | For Chamber Ensemble| ~20′

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New England Concordance

Posted on January 27, 2019 by

By Lewis Spratlan | For TTBB Choir and Piano| 9′

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Chamber Symphony

Posted on January 26, 2019 by

By Lewis Spratlan | For Chamber Orchestra| 30′

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Impromptu for Solo Viola

Posted on September 25, 2017 by

By Luna Pearl Woolf | For Solo Viola | 7′ “…extended contrapuntal play…” for the viola

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Midi

Posted on August 28, 2017 by

By Lewis Spratlan | An Opera in One Act | 49′ Continue reading →

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Arpeggione for Cello and String Orchestra

Posted on August 22, 2017 by

By Luna Pearl Woolf | For Solo Cello and string orchestra| 26′ Continue reading →

Posted in Cello Concertos, Cello Music, Concertos, Luna Pearl Woolf, String Orchestra, Works for Rent | Tagged , , , , , , | 2 Comments

Missa in Fine Orbis Terrae

Posted on August 22, 2017 by

By Luna Pearl Woolf | For Choir and Organ | 11′

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Calgary Herald: Evelyn Glennie and Land’s End Ensemble provide spectacular evening

Posted on August 22, 2017 by

“Woolf seems to have carefully considered the relationship of physicality to the performers’ bodies, for example their height, physical performance characteristics and their physical relationship with the instrument. Set in shards of imitative Bach cello suite fragments, and buttressed with … Continue reading →

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Joy Song

Posted on August 22, 2017 by

By Lewis Spratlan | For solo clarinet | 10′

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Of War

Posted on August 22, 2017 by

By Lewis Spratlan | For Mixed SATB Chorus, and Orchestra| 30′

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Dreamworlds

Posted on August 22, 2017 by

By Lewis Spratlan | For Piano, four hands | 15′

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Bangladesh

Posted on August 22, 2017 by

By Lewis Spratlan | For Piano| 14′

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