Too Many Vodka Tonics

By Luna Pearl Woolf | For String Quartet | 5′

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To the Fire

By Luna Pearl Woolf | For 6 male voices or AATBBB choir | 13′

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Between the Bars

By Luna Pearl Woolf | For Soprano, Cello, and Piano| 5′

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Traum Durch die Dämmerung

By Luna Pearl Woolf | For Soprano and Piano| 5′

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One to One to One

By Luna Pearl Woolf | For 3 Female Voices, 3 Cellos, 3 Basses| 15′

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Lili’uokalani for Solo Cello

By Luna Pearl Woolf | For Solo Cello| 10′

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Unspoken Words

By Lewis Spratlan | For SATB Choir and Trombone|10′

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Charlottesville: Summer of 2017

By Lewis Spratlan | For Chamber Ensemble| ~20′

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New England Concordance

By Lewis Spratlan | For TTBB Choir and Piano| 9′

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Chamber Symphony

By Lewis Spratlan | For Chamber Orchestra| 30′

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Impromptu for Solo Viola

By Luna Pearl Woolf | For Solo Viola | 7′

“…extended contrapuntal play…” for the viola

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Midi

 

Midi (Medea) is a native singer in the bar of a hotel/brothel in a city in the French Antilles, c. 1930. She is also a sorceress, a descendant of the Sun himself, loved and feared on the island. She lives with a dubious American “businessman,” Jaz, who cheats on her and beats her. She could destroy him with her magic, but, loving him, she is helpless.

By Lewis Spratlan | An Opera in Two Acts | 86′

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Arpeggione for Cello and String Orchestra

By Luna Pearl Woolf | For Solo Cello and String Orchestra| 26′ Continue reading

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Missa in Fine Orbis Terrae

By Luna Pearl Woolf | For Choir and Organ | 11′ Continue reading

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Calgary Herald: Evelyn Glennie and Land’s End Ensemble provide spectacular evening

“Woolf seems to have carefully considered the relationship of physicality to the performers’ bodies, for example their height, physical performance characteristics and their physical relationship with the instrument. Set in shards of imitative Bach cello suite fragments, and buttressed with non-tonal impressionistic properties, both percussive or spectral, the discontinuous narrative was something to be experienced, and far less so to be analyzed. Entanglement summarized well our own semi-conscious relationships with bodies as sonic conveyors, whether it be our own body relating to another person, or how we relate resonantly to the unique acoustic nature of each instrument we encounter, as though each instrument were equivalent in vibrancy to a person’s body…”

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Joy Song

By Lewis Spratlan | For solo clarinet | 10′

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Of War

By Lewis Spratlan | For Mixed SATB Chorus, and Orchestra| 30′

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Dreamworlds

By Lewis Spratlan | For Piano, four hands | 15′

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Bangladesh

By Lewis Spratlan | For Piano| 14′

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Duo for Violin and Cello

By Luna Pearl Woolf | For Violin and Cello| 3′ Continue reading

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