Tag Archives: Luna Pearl Woolf

Missa in Fine Orbis Terrae

By Luna Pearl Woolf | For Choir and Organ | 11′

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Calgary Herald: Evelyn Glennie and Land’s End Ensemble provide spectacular evening

“Woolf seems to have carefully considered the relationship of physicality to the performers’ bodies, for example their height, physical performance characteristics and their physical relationship with the instrument. Set in shards of imitative Bach cello suite fragments, and buttressed with … Continue reading

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Duo for Violin and Cello

By Luna Pearl Woolf | For Violin and Cello| 3′

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Entanglement

By Luna Pearl Woolf | For Cello and Percussion | 10′

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Act Without Words

By Luna Pearl Woolf | For Clarinet in B flat| 15′

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Tippet Fugue

By Luna Pearl Woolf | For Cello Piccolo and Harpsichord| 3′

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One to One to One

By Luna Pearl Woolf | For Three Female Voices, Three Cellos,  and Three Basses | 15′

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San Francisco Classical Voice: the Dizzying World of György Ligeti

March 21, 2017 “Woolf’s illustrative music here … skillfully augments the performers’ movements. Short motivic bursts illustrate the sudden actions of the man falling off a box and throwing himself against a wall, for example —but  when he cradles the length … Continue reading

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La Fabrique Culturelle TV: Cordes et discorde

06 May 2016 Watch a four minute video of Luna Pearl Woolf’s 12 May 2016 Triptyque program at the Salle Bourgie, Montreal Museum of Fine Arts from La Fabrique Culturelle TV. The program features Mélange à trois, One to One to One, and Rumi: Quatrains of … Continue reading

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BETTER GODS

Better Gods, an opera by composer Luna Pearl Woolf and librettist Caitlin Vincent, commissioned by the Washington National Opera, Francesca Zambello, Artistic Director,

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BroadwayWorld Review: BETTER GODS Soars at the Kennedy Center

January 11, 2016 “Ms. Woolf’s gorgeous score is underlined by the use of traditional Hawaiian chants and her score utilized authentic instruments like the nose flute, Kala’au (percussive sticks), and Ili’ili (castanets), that are native to the island.”

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DC Metro Theater Arts: Review: ‘Better Gods’ at The Washington National Opera

January 9, 2016 “Woolf’s new and original composition uses Hawaiian instruments to add an audible authenticity to the story. Throughout the opera the nose flute, Kalaʻau (warrior sticks made from strawberry guava trees), and ʻIliʻili (stone castanets) amplify the sadness … Continue reading

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ConcertoNet: December Celebration – New Carols by Seven American Composers

07 December 2015 “…in Luna Pearl Woolf’s How Bright the Darkness, an impressively vivid piece for women’s choir, baritone solo, strings, percussion, and harp. Woolf’s orchestration and harmonies paint the sparseness of nature. It is a piece where the listener can … Continue reading

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Strings Magazine: Matt Haimovitz Returns to the Solo Suites and Intimate Venues

Given his commitment to connecting with his audience, Haimovitz chose a unique way to share this passion with his listeners. He has commissioned preludes to the Six Solo Suites, created by contemporary composers from diverse backgrounds and disciplines. “It’s a way to bring these suites into the 21st century,” he says, “to have living, breathing composers grapple with the materials, Bach’s musical building blocks, and find their own take on it.”

The six composers bringing contemporary vitality to Bach are Philip Glass, Luna Pearl Woolf, Du Yun, Vijay Iyer, Roberto Sierra, and Mohammed Fairouz. Haimovitz has encouraged them to draw on folk melodies, just as Bach did in his day. As we spoke, the pieces were still being written, and Haimovitz’s excitement and anticipation is contagious. Continue reading

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Examiner: PENTATONE tries to get the jump on Christmas music marketing

Woolf has mustered just the right combination of sonorities and thematic material that makes the perfect glove to fit Wilner’s poetic hand. Continue reading

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Primephonic: To Inspire, To Create, To Engage and To Empower

The American composer Luna Pearl Woolf is at the pinnacle of a new generation of politically conscious and artistically progressive composers. Her work… Continue reading

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How Bright the Darkness

By Luna Pearl Woolf | For Treble Choir, Harp, Percussion, and String Orchestra | 6′

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We Are God’s Children / MotherSongs

By Luna Pearl Woolf | For Mezzo-Soprano and String Quartet  | 9′

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How Bright the Darkness

By Luna Pearl Woolf | For Solo Baritone, Women’s Chorus, Harp, Percussion, and String Orchestra | 6′

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Suspense

By Luna Pearl Woolf | For Eight Cellos and Four Percussion | 11′

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