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Author Archives: oxingalemusic
Missa in Fine Orbis Terrae
By Luna Pearl Woolf | For Choir and Organ | 11′
Posted in Choral, Composers, Instrument, Luna Pearl Woolf, Organ, Vocal Music
Tagged Agnus Dei, choir, Choral, Kyrie, Luna Pearl Woolf, Mass., mixed voices, Organ, prayer, Sanctus and Benedictus, SATB, Vocal
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Calgary Herald: Evelyn Glennie and Land’s End Ensemble provide spectacular evening
“Woolf seems to have carefully considered the relationship of physicality to the performers’ bodies, for example their height, physical performance characteristics and their physical relationship with the instrument. Set in shards of imitative Bach cello suite fragments, and buttressed with … Continue reading
Posted in Luna Pearl Woolf, News, Uncategorized
Tagged Entanglement, Evelyn Glennie, Land's End ensemble, Luna Pearl Woolf, Percussion
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Joy Song
By Lewis Spratlan | For Solo Clarinet in B-Flat | 7′
Posted in Clarinet, Composers, Instrument, Lewis Spratlan
Tagged abu dhabi, Clarinet, ethiad modern art gallery, Jonathan Aubrey, joy, Lewis Spratlan, Solo
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Of War
By Lewis Spratlan | For Mixed SATB Chorus and Orchestra | 25′
Dreamworlds
By Lewis Spratlan | For Piano, Four-Hands | 15′
Posted in Chamber Music, Chamber Music with Piano, Chamber Music With..., Composers, Duo, Four Hands, Instrument, Lewis Spratlan, Piano
Tagged dana muller, Four Hands, Gary Steigerwalt, in your head, Lewis Spratlan, navona records, new music for piano four hands, Piano, piano duet, piano four hands
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Bangladesh
By Lewis Spratlan | For Piano Solo | 16′
Entanglement
By Luna Pearl Woolf | For Cello and Percussion | 10′
Tippet Fugue
By Luna Pearl Woolf | For Cello Piccolo and Harpsichord | 3′
Posted in Cello, Cello Piccolo, Chamber Music, Chamber Music with Cello, Chamber Music with Piano, Chamber Music With..., Composers, Duo, Harpsichord, Instrument, Luna Pearl Woolf
Tagged Cello Piccolo, christopher o'riley, fugue, Harpsichord, Large Chamber Ensemble, Luna Pearl Woolf, Matt Haimovitz, Tippet Rise Arts Center
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New York Times: When musicians get up and move
By CORINNA da FONSECA-WOLLHEIM JULY 28, 2017 A Victorian dictum, now out of fashion, states that children should be seen, not heard. The opposite might be said of the 19th-century concert setup: Players were to be heard, not seen — or at … Continue reading
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Examiner: PENTATONE tries to get the jump on Christmas music marketing
Originally posted on OXINGALE MUSIC:
29 October 2015 “Woolf has mustered just the right combination of sonorities and thematic material that makes the perfect glove to fit Wilner’s poetic hand.” Last August PENTATONE decided that the summer would be the perfect…
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Herald-Times: Chamber Choir Focuses on Musical, Verbal Message
Originally posted on OXINGALE MUSIC:
March 5, 2013 The Bloomington chamber choir Voces Novae performs with artistic integrity and is motivated by social conscience. … At the heart of the concert was a performance of “Après Moi, le Déluge,” for…
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La Fabrique Culturelle TV: Cordes et discorde
06 May 2016 Watch a four minute video of Luna Pearl Woolf’s 12 May 2016 Triptyque program at the Salle Bourgie, Montreal Museum of Fine Arts from La Fabrique Culturelle TV. The program features Mélange à trois, One to One to One, and Rumi: Quatrains of … Continue reading
BETTER GODS (About the Opera)
Better Gods, an opera by composer Luna Pearl Woolf and librettist Caitlin Vincent, commissioned by the Washington National Opera, Francesca Zambello, Artistic Director,
Posted in Chamber Orchestra, Composers, Full Scores, Luna Pearl Woolf, Opera, Vocal Music, Works for Rent
Tagged Hawa`ii, Lili`uokalani, Luna Pearl Woolf, Mezzo-soprano, opera
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BroadwayWorld Review: BETTER GODS Soars at the Kennedy Center
January 11, 2016 “Ms. Woolf’s gorgeous score is underlined by the use of traditional Hawaiian chants and her score utilized authentic instruments like the nose flute, Kala’au (percussive sticks), and Ili’ili (castanets), that are native to the island.”
DC Metro Theater Arts: Review: ‘Better Gods’ at The Washington National Opera
January 9, 2016 “Woolf’s new and original composition uses Hawaiian instruments to add an audible authenticity to the story. Throughout the opera the nose flute, Kalaʻau (warrior sticks made from strawberry guava trees), and ʻIliʻili (stone castanets) amplify the sadness … Continue reading
ConcertoNet: December Celebration – New Carols by Seven American Composers
07 December 2015 “…in Luna Pearl Woolf’s How Bright the Darkness, an impressively vivid piece for women’s choir, baritone solo, strings, percussion, and harp. Woolf’s orchestration and harmonies paint the sparseness of nature. It is a piece where the listener can … Continue reading
Posted in News
Tagged Eleanor Wilner, Gordon Getty, How Bright the Darkness, Lester Lynch, Lisa Delan, Luna Pearl Woolf, Pentatone, Volti, women composers
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