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Category Archives: Anna Pidgorna
What am I?
By Anna Pidgorna | For Soprano and Piano | From the opera Plaything | 10′
Posted in Anna Pidgorna, Arias, Opera, Soprano, Vocal Music
Tagged Anna Pidgorna, Arias, opera, Soprano
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Not a Word
By Anna Pidgorna | For Mezzo-Soprano and Piano | From the opera Plaything | 7′
Posted in Anna Pidgorna, Arias, Mezzo-soprano, Opera, Vocal Music
Tagged Anna Pidgorna, Arias, Mezzo-soprano, opera
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Light-play through curtain holes
By Anna Pidgorna | For Free Bass Accordion | 6′
Lesya’s Song
By Anna Pidgorna | For English Horn and Bassoon | 5′
Posted in Anna Pidgorna, Bassoon, Chamber Music, Composers, Duo, English Horn, Instrument
Tagged Anna Pidgorna, Artemis Musicians' Society, Bassoon, Canada Council for the Arts, Chamber Music, contemporary chamber music, contemporary composer, duet, English Horn, fanfare, Katelin Coleman, Lesya Ukrainka, Lesya's Song, Notional Space, politics, putin, Renz Eulric Adame, Russia, Russia's Invasion, Ukraine, Ukrainian composer, vancouver, war, woman composer
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The Child, bringer of light (version for cello)
By Anna Pidgorna | For Solo Violoncello | 11′
Posted in Anna Pidgorna, Cello, Composers, Instrument, Solo Cello
Tagged Anna Pidgorna, Bach, Carl Jung, Carnegie Hall, Cello, classical-music, contemporary cello, contemporary composer, Kaija Saariho and Anssi Karttunen Professional Training Workshop, mother nature, music, New York City, Paul Dwyer, Solo Cello, The Child, the child bringer of light, Violin, Zankel Hall
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Through closed doors
By Anna Pidgorna | For Two Violins | 8′
Weeping for a dead love
By Anna Pidgorna | For Vocalist and Percussion Quartet | 13′
Posted in Alto, Anna Pidgorna, Art Song/Chamber, Chamber Music, Chamber Music with Voice, Chamber Music With..., Composers, Instrument, Mezzo-soprano, Percussion, Quintet, Trio or larger, Vocal Music
Tagged Anna Pidgorna, Architek Percussion, folk song, gholosinnia, Princeton University, So Percussion, Taplin Auditorium, Ukrainian composer, Ukrainian folk singing, Ukrainian folk sining, Ukrainian folk song, Ukrainian music, Weeping for a dead love
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Stockhausen menagerie
By Anna Pidgorna | For Flute and Clarinet in B-Flat | 9′
Keening (version with alto saxophone)
By Anna Pidgorna | For Flute, Alto Saxophone, Cello, and Piano | 11′
Posted in Anna Pidgorna, Cello, Chamber Music, Chamber Music with Cello, Chamber Music with Piano, Chamber Music With..., Composers, Flute, Instrument, Piano, Quartet, Saxophone
Tagged Allison Balcetis, Amy Nicholson, Anna Pidgorna, Canada Council for the Arts, Chenoa Anderson, Irish tradition, Keening, Macewan University, Roger Admiral, Ukrainian music, UltraViolet
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Obsessive circularity of thought
By Anna Pidgorna | For Two-Manual Harpsichord | 6′
Keening (version with Clarinet in B-Flat)
By Anna Pidgorna | For Flute, Clarinet in B-Flat, Cello, and Piano | 11′
Posted in Anna Pidgorna, Cello, Chamber Music, Chamber Music with Cello, Chamber Music with Piano, Chamber Music With..., Clarinet, Composers, Flute, Instrument, Piano, Quartet
Tagged Allison Balcetis, Amy Nicholson, Anna Pidgorna, Canada Council for the Arts, Chenoa Anderson, Keening, Roger Admiral, Ukrainian music, UltraViolet
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A Pärtian meditation on an invented folksong
By Anna Pidgorna | For Violin and Piano | 7′
Posted in Anna Pidgorna, Chamber Music, Chamber Music with Piano, Chamber Music With..., Composers, Duo, Instrument, Piano, Violin
Tagged Andrea Tyniec, Angela Park, Anna Pidgorna, Arvo Part, Atonal Hits, Fratres, Historic Leith Church, Illya Filshtinskiy, Katha Zinn, Princeton Unviersity, Ukrainian music
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Like doves with grey wings embracing
By Anna Pidgorna | For Piano Trio | 11′
Posted in Anna Pidgorna, Cello, Chamber Music, Chamber Music with Piano, Chamber Music With..., Composers, Instrument, Piano, Piano Trio, Trio, Violin
Tagged Anna Pidgorna, Gryphon Trio, Like doves with grey wings embracing, Ottawa International Chamber Music Festival, Ukrainian folk music, Weeping for a dead love
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