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Author Archives: oxingalemusic
Seeking You
By Niloufar Nourbakhsh | For Soprano, Piano, and Electronics | 10′
Posted in Art Song/Chamber, Chamber Music, Chamber Music with Piano, Chamber Music with Voice, Chamber Music With..., Composers, Duo, Duo, Electronics, Instrument, Niloufar Nourbakhsh, Piano, Soprano, Vocal Music
Tagged Brooklyn, contemporary composer, Electronics, Emruz Festival, Iranian Composer, Mehry Eslaminia, Muhammad Iqbal, National Sawdust, Navaye Táhirih, Niloufar Nourbakhsh, Piano, Soprano, women composers, works with electronics
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(Position Filled 2024-08-27) We’re Hiring! Music Publishing and Marketing Manager
As of 2024-08-27 this position is now filled. [La version française suit] Posted: July 26, 2024 Music Publishing and Marketing Manager – Part Time Position Available Oxingale Music is an independent music publisher focusing on exceptional contemporary composers, featuring works … Continue reading
Posted in News
Tagged Anna Pidgorna, Božo Banović, canada remote work, Composers, Diana Rosenblum, hiring, Lewis Spratlan, Luna Pearl Woolf, manager, marketing, marketing manager, Matt Haimovitz, music industry, music marketing, music publishing, Niloufar Nourbakhsh, part time work, publishing, publishing manager, remote work, sheet music, Socalled, The Primavera Project, Thibault Bertin-Maghit
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Mar y sol
By Luna Pearl Woolf | For Contralto and Piano | 10′
Posted in Alto, Art Song/Chamber, Chamber Music, Chamber Music with Piano, Chamber Music with Voice, Chamber Music With..., Composers, Duo, Duo, Instrument, Luna Pearl Woolf, Piano, Vocal Music
Tagged bourgie hall, Chamber Music with Piano, Chamber Music with Voice, classical-music, composer, concert, contemporary composition, contemporary voice, contralto, female composer, Fondation Arte Musica, Julien Leblanc, Luna Pearl Woolf, mar y sol, Musee des Beaux Arts, music, new commission, Piano, Rose Naggar-Tremblay, salle bourgie, song
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En Cherchant
By Niloufar Nourbakhsh | For String Orchestra | 5′
Posted in Bass, Cello, Composers, Instrument, Niloufar Nourbakhsh, Orchestra, String Orchestra, Viola, Violin, Works for Rent
Tagged Amsterdam Sinfonietta, Bass, Cello, contemporary composer, contemporary works for strings, contrabass, desire, double bass, En Cherchant, Iranian Composer, music, Niloufar Nourbakhsh, Orchestra, Simon Blendis, string orchestra, Viola, Violin, violoncello, women composers
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Dawn
By Niloufar Nourbakhsh | For Vocals, Piano, and Electronics | 10′
Posted in Alto, Art Song/Chamber, Chamber Music, Chamber Music with Piano, Chamber Music With..., Composers, Duo, Duo, Electronics, Instrument, Mezzo-soprano, Niloufar Nourbakhsh, Piano, Vocal Music
Tagged Ava Nazar, classical-music, composition, contemporary chamber music, contemporary composition, Electronics, Forough Farrokhzad, Mahya Hamedi, music, Niloufar Nourbakhsh, Piano, Sparks & Wiry Cries, The National Sawdust, Violin, vocals
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F I X E D HbeaRt
By Niloufar Nourbakhsh | For Piano and Live Electronics | 11′
Posted in Composers, Electronics, Instrument, Niloufar Nourbakhsh, Piano
Tagged contemporary piano, EDR Foundation, Erika Dohi, F I X E D, F I X E D HeaRbt, fixed, HbeaRt, heartbeat, Iranian compoer, Iranian-American composer, Kaleidoscope MusArt Special Citation Award, Keith Kirchoff, Metropolis Ensemble, modern composer, Niloufar Nourbakhsh, piano with electronics, Solo Piano, Splice INstitute
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Cyclical Rabbits
By Niloufar Nourbakhsh | For Solo Violoncello | 6′
Posted in Cello, Composers, Instrument, Niloufar Nourbakhsh, Recorded on Oxingale, Solo Cello, The Primavera Project
Tagged Charline von Heyl, contemporary cello, Funkhaus, Germany, Matt Haimovitz, Niloufar Nourbakhsh, Pentatone, Primavera, PRIMAVERA II the rabbits, Solo Cello, The Primavera Project, WDR Cologne
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Lesya’s Song
By Anna Pidgorna | For English Horn and Bassoon | 5′
Posted in Anna Pidgorna, Bassoon, Chamber Music, Composers, Duo, English Horn, Instrument
Tagged Anna Pidgorna, Artemis Musicians' Society, Bassoon, Canada Council for the Arts, Chamber Music, contemporary chamber music, contemporary composer, duet, English Horn, fanfare, Katelin Coleman, Lesya Ukrainka, Lesya's Song, Notional Space, politics, putin, Renz Eulric Adame, Russia, Russia's Invasion, Ukraine, Ukrainian composer, vancouver, war, woman composer
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The Child, bringer of light (version for cello)
By Anna Pidgorna | For Solo Violoncello | 11′
Posted in Anna Pidgorna, Cello, Composers, Instrument, Solo Cello
Tagged Anna Pidgorna, Bach, Carl Jung, Carnegie Hall, Cello, classical-music, contemporary cello, contemporary composer, Kaija Saariho and Anssi Karttunen Professional Training Workshop, mother nature, music, New York City, Paul Dwyer, Solo Cello, The Child, the child bringer of light, Violin, Zankel Hall
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West Edge Opera Announces “Jacqueline”, by Luna Pearl Woolf and Royce Vavrek, as part of their 2024 summer festival
Press Contact: Emilie Whelan | Director of Advancement | emilie@westedgeopera.org WEST EDGE OPERA ANNOUNCES JACQUELINE, BY LUNA PEARL WOOLF AND ROYCE VAVREK AND STARRING MARNIE BRECKENRIDGE AND MATT HAIMOWITZ, AS A PART OF THE SUMMER FESTIVAL 2024 AT THE OAKLAND SCOTTISH RITE CENTER Jacqueline completes the 2024 season, presented alongside the world premiere of … Continue reading
Through closed doors
By Anna Pidgorna | For Two Violins | 8′
Weeping for a dead love
By Anna Pidgorna | For Vocalist and Percussion Quartet | 13′
Posted in Alto, Anna Pidgorna, Art Song/Chamber, Chamber Music, Chamber Music with Voice, Chamber Music With..., Composers, Instrument, Mezzo-soprano, Percussion, Quintet, Trio or larger, Vocal Music
Tagged Anna Pidgorna, Architek Percussion, folk song, gholosinnia, Princeton University, So Percussion, Taplin Auditorium, Ukrainian composer, Ukrainian folk singing, Ukrainian folk sining, Ukrainian folk song, Ukrainian music, Weeping for a dead love
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Veiled
By Niloufar Nourbakhsh | For Solo Violoncello and Live Electronics with Fixed Media | 8′
Posted in Cello, Composers, Electronics, Instrument, Niloufar Nourbakhsh
Tagged Amanda Gookin, Bright Shiny Things, contemporary cello, contemporary composer, Electronics, fixed media, Forward Music Project, Forward Music Project 2.0, hijab, In This Skin, Iran, Iranian Composer, Iranian music, iranian woman, Kimia Hesabi, National Sawdust, Niloufar Nourbakhsh, Solo Cello, violoncello
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Veiled (version for viola)
By Niloufar Nourbakhsh | For Solo Viola and Live Electronics with Fixed Media | 8′
Posted in Composers, Electronics, Instrument, Niloufar Nourbakhsh, Viola
Tagged Amanda Gookin, commission, commissioned work, contemporary cello, contemporary composer, contemporary composition, contemporary viola, fixed media, hijab, Iranian Composer, iranian woman, Kimia Hesabi, National Sawdusk, National Sawdust, Nemano Gaona, New Focus Recordings, Niloufar Nourbakhsh, Solo Cello, solo viola, viola and electronics
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Cello Sonata No. 1
By Niloufar Nourbakhsh | For Piano and Cello | 6′
Posted in Cello, Chamber Music, Chamber Music with Cello, Chamber Music with Piano, Chamber Music With..., Composers, Duo, Instrument, Niloufar Nourbakhsh, Piano
Tagged Cello sonata, Chamber Music, contemporary cello, depression, Duo, Goucher College Chapel, Niloufar Nourbakhsh, piano sonata, Rhoda Wang Heng, sonata, ToddThiel
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White helmets, as white as death
By Niloufar Nourbakhsh | For Flute, Violin, Viola | 8′
Posted in Chamber Music, Composers, Flute, Instrument, Niloufar Nourbakhsh, Trio, Viola, Violin
Tagged abu omar, as white as death, Chamber Music, contemporary chamber music, Eun Hae Grace Oh, Flute, flute trio, khalid farah, kocham trio, Micaela Fruend Haimov, mohammed farah, Niloufar Nourbakhsh, Shanrong Sabrina Tuo, staller center for the arts, stony brook university, syria, Viola, Violin, white helmets, white helmets as white as death
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Figlude
By Socalled | For Overlaid and Beat-Up Cellos | 3′
Posted in Cello, Chamber Music, Chamber Music with Cello, Chamber Music With..., Composers, Duo, Electronics, Instrument, Recorded on Oxingale, Socalled, Works for Rent
Tagged beat up cellos, Cello, Cello ROCK, Electronics, figment, Matt Haimovitz, Montreal, new commission, overdub, overlaid, Oxingale Records, Pentatone Oxingale Series, Socalled
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Meanwhile…
By Socalled | For Clarinet, Violin, Cello, Piano and Tape | 8′
Posted in Cello, Chamber Music, Chamber Music with Cello, Chamber Music with Piano, Chamber Music With..., Clarinet, Composers, Electronics, Instrument, Piano, Quintet, Recorded on Oxingale, Socalled, Violin, Works for Rent
Tagged Akoka, Cello, Cello ROCK, Chamber Music, Clarinet, David Krakauer, Electronics, Geoffrey Buleson, improvisation, Jonathan Crow, Matt Haimovitz, McGill University, Meanwhile..., Multimedia Room, new commission, Olivier Messiaen, Oxingale Records, Pentatone, Pentatone Oxingale Series, Quartet for the End of Time, Schulich School of Music, Socalled, tape, Violin
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Tatu
By David Sanford | For Woodwind Quintet | 10′
Posted in Bass clarinet, Bassoon, Chamber Music, Clarinet, Composers, David Sanford, Flute, Horn, Instrument, Oboe, Quintet
Tagged Bass clarinet, Bassoon, Chamber Music America, Clarinet, Dark Magnus, David Sanford, Flute, Horn, horn in f, International Double Reed Society, Jorgen Leth, Lars von Trier, Miles Davis, Oboe, stockhausen, Tatu, The Five Obstructions, Woodwind Quintet, Zephyros Winds
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Suolo
By David Sanford | For Solo Violoncello | 4′
Posted in Cello, Composers, David Sanford, Instrument, Recorded on Oxingale, Solo Cello, The Primavera Project
Tagged best producer, Boticelli, Cello, Charline von Heyl, david frost, David Sanford, Grammy Nominated, Jeffrianne Young, Madonna and Child, Matt Haimovitz, new comission, new commission, new works for cello, Pentatone, Pentatone Oxingale Series, PRIMAVERA I the wind, soil, Solo Cello, suolo, The Primavera Project, umass amherst
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