“Woolf seems to have carefully considered the relationship of physicality to the performers’ bodies, for example their height, physical performance characteristics and their physical relationship with the instrument. Set in shards of imitative Bach cello suite fragments, and buttressed with non-tonal impressionistic properties, both percussive or spectral, the discontinuous narrative was something to be experienced, and far less so to be analyzed. Entanglement summarized well our own semi-conscious relationships with bodies as sonic conveyors, whether it be our own body relating to another person, or how we relate resonantly to the unique acoustic nature of each instrument we encounter, as though each instrument were equivalent in vibrancy to a person’s body…”
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